Kenny
famously left the priesthood and the Church in the 1960s, and became a longtime
defender of agnosticism, often critical of dogmatic atheism no less than of
theism. He was not a hostile critic of
the faith, however, and retained an interest in the Catholic intellectual
tradition and in philosophical issues connected to religion. His memoir A Path from Rome remains an
engaging account of his days as a seminarian, priest, and young academic, and
of the transformation of his views during that time.
I have long
thought that Kenny’s criticisms of arguments for the existence of God and the
immortality of the soul were the weakest aspects of his work. This is not just because I happen to disagree
with his conclusions. It is because, in
my view, on these particular topics he simply happened not to consider the strongest
possible readings of the arguments he engaged with (for example, in his book on
the Five Ways). All the same, even what
he says about these matters is interesting and worth engaging with, and he never
resorted to cheap shots or glib dismissals.
I knew Kenny
only through email and regret that I never had a chance to meet him in
person. One of the most gratifying experiences
of my early academic career was reading the very kind review of my book The Last Superstition that he wrote for
the Times Literary Supplement. I first learned of the review from a reader
who had heard about it but hadn’t seen it himself. I scrambled that day to get hold of it, not
without trepidation. The book is a
confident defense of theism, and Kenny was a firm agnostic; it makes very bold
claims about the history of philosophy, and Kenny was an eminent historian of
the subject; it is vituperative toward the New Atheists, whereas Kenny’s style
was genteel. Might he not hate the book? Quite the opposite, as it turned out. (The review is not available online, but you
can read excerpts from it here.)
The Metaphysics of Mind and What is Faith? may have been the first works of Kenny’s that I came across. For any readers interested in getting an idea of the character of his work, they remain good entry points and, like Kenny’s writings in general, well worth reading. Requiescat in pace.

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