The
relationship between memory and personal identity has long been of interest to
philosophers, and it is also a theme explored to good effect in movies and science
fiction. In Memento, Leonard Shelby (played by Guy
Pearce) has largely lost his ability to form new memories following an attack
in which he was injured and his wife raped and murdered. He hunts down the attacker by assembling
clues which he either writes down or tattoos on his body before he can forget
them.
In Philip K.
Dick’s short story “Paycheck” (which is better than the movie adaptation starring Ben Affleck), the protagonist Jennings has
agreed to work for two years on a secret project knowing that his memory of it
(and of everything else that happened during those years) will be erased when
the task is completed. When he awakens
after the memory wipe, he learns that he had, during the course of the two
years, voluntarily agreed to forego the large paycheck he had originally
contracted for in exchange for an envelope full of seemingly worthless
trinkets. He spends the rest of the
story trying to figure out why he would have done so, and it becomes evident
before long that it has something to do with the secret project’s having been a
device which can see into the future.
(Readers who
haven’t either seen Memento or read
Dick’s story or seen the movie version are warned that major spoilers follow.)


















